In my previous post I talked about counting words, and the pleasure of being able to track a ‘good day’ of writing. But how can we work towards having more ‘good days’?
Some of the things that work for me are:
- if possible, allocate yourself a chunk of time (sometimes I write through the night – desperate I know, but at least it’s quiet). Part of this one is about giving yourself permission to write. You deserve this time!
- become really at home with your characters and their motivations. Think about them when you’re on the train or in the bath or wherever. Get to know them, visualise them, test out things they might do and things they wouldn’t do.
- think of some interesting scenes/situations to write about. I often have my best ideas when I’m trying to sleep – hold onto them, write them down, or perhaps just go and type them straight in. I always have a document standing by for notes and ideas.
- try to avoid distractions! (this is a topic in itself, I will share some ideas about this in my next post)
- find ways to keep the flow going, including avoiding things that make your writing stall. (another biggie – I have a trick that works well for me that I will share soon)
Happy writing – I hope you have a ‘good day’ soon!
There are so many different blogs and opinions about the ‘best’ word-counts for various genres, that I won’t even try to share a definitive answer here. Different publishing companies and agents and editors all have their own ideas on this topic.
But for self-publishing authors like myself, here are some rules of thumb that I usually to try to think about when I am creating my stories.
- Novels (general) – anything over about 40-45,000 might be classed as a novel. Some publishing companies expect something longer (around 80-120k seems to be a popular rule of thumb). Then of course there are many highly successful novels that are 120k+ Check out the Harry Potter infographic below.
- Romantic novels – For contemporary romance, I usually try to aim for something between 45k and 75k, with 45k being fine for a shorter racy romance, and 70-80k or thereabouts being a good length for a more in-depth ‘slow-burn’ or complex story. My first book Lover by moonlight is a slower story of emotional exploration and was about 70k. My second book Lie to me was faster and spicier – around 47k. My third contemporary romance in the Deception series (The Gemini Effect) was more of a slow burn – again nearly 70k. In the end, I find each book tends to dictate its own length.
- Historical romance – I have generally been aiming for around 70k for my historical romances. It usually seems about right. Certainly that is what I have ended up with for the first two books in my French Connection series. (‘Isabel’s Choice’ and ‘Temptation’). The third book in the French Connection series is a bit racier (I am working on it now), and that one may end up being a bit shorter. It will all depend on just what the heroine gets up to in ‘The Secret Life of Eloise’!
- Novellas – my first novella The Priest’s Seduction was around 20k. I think anything between about 17k and 35k can be classed as a novella. Again, some companies may have strict ideas, but if you are going out on your own, then it is your readers who can provide input on this.
- Short stories – generally less than about 7k or 8k – again, short story publishers and competitions will have their own ideas about this.
That’s my own personal guide (approximate) to word counts. Yet having said that, one of the best bits about being an Independent author is that I don’t have to conform to restrictions set by publishing companies that work by formula. Which means I have the ultimate pleasure of letting the story dictate how long the book will be. I often have some idea at the beginning of where it is heading, but it is only as the story develops that it reveals where it wants to go, and that is when being flexible about word counts can be a real advantage. In the end, it makes for a better story, although it is always worth remembering that editing will still be just as important as ever.
It is only when readers start commenting that sections of text are unnecessary or don’t really help to further the story-line that a book might be considered “too long”. And similarly, when a reader is left feeling cheated, or as though the story was never properly aired, that it was “too short”. The rest is perhaps just semantics.